Author: brthhhses

19 Feb

4 Things You May Not Know About Pistache Artists

1. Many artists have side-jobs

Selling your art can be an unstable source of money. One month you might make lots of money, the next you might make next to nothing. Lots of artists have a permanent part-time or even full-time job so they’re at least guaranteed some money to cover their living costs. Many artists who are successful and make enough money from their art still keep a side-job on because they enjoy having something that takes their mind off their art work. Being an artist can be very flexible, so it can be easy to fit side-jobs into their routine.

2. Many artists love socialising

You might think Pistache Artists as quiet and shy people because they spend a lot of time working by themselves. The opposite is true, in fact: most artists are very sociable and love meeting likeminded people. One of the main reasons why artists are especially sociable is because they have to be to further their careers. Part of being an artist is putting your work, and to a degree, yourself, out there. Networking is an important part of establishing your brand and customer base. Artists go to events and visit places such as galleries to meet potential customers and clients.

3. Many artists are careful with their money

Art tends to be associated with rich people, because lot of rich people buy art and particular works can be expensive. The typical artist, however, isn’t rich, and has to budget carefully, especially if they’re self-employed. Many artists get to mingle with rich people, but it can be hard earning a high wage from being an artist, which is something that motivates many artists to keep trying. Realistically speaking, most artists won’t end up rich – they may one day have a good wage, but still it usually isn’t a guaranteed wage, because they might sell lots one month and not so much the next. Artists who are self-employed can only rely on the money they earn themselves: if they fall ill and can’t work, they won’t earn, for example.

4. Many artists are satisfied with what they do

Being an artist is something that most artists really do enjoy. There’s not really much job dissatisfaction at all among artists. One of the reasons why artists love what they do so much is because it puts them into control: most artists have more of an independent lifestyle because of their profession, so they don’t have to stick to schedules and routines and things like that. Part of being an artist is managing yourself, which can be challenging but also very rewarding. Knowing that you’ve successfully built up a brand and are using your own creative talents to earn money is one of the reasons why so many artists love what they do. For more information, please visit¬†http://www.pistacheartists.com¬†.

 

24 Jan

3 Simple Tips To Bring Your Oil Painting To Life

Artists love using oil paints on canvas because of its many advantages. Whereas its slow drying process could seem as a drawback, especially for those who would rather finish their pieces faster, for the majority of artists is a plus. This is because it provides them with enough time to work on an artwork piece in different sessions without worrying that some parts will dry faster. They also find it much easier to make changes to their creations thanks to the slow drying characteristic of oil paintings. Oil paints also come with an advantage of creating luminous colors that are hard to wear. It is also much easier for the paints to blend with any surrounding colors so in the end an appealing artwork is achieved.

If you are new to oil paintings, you might consider taking oil painting classes so you can start off on a high. But you can still use the following simple tips to start getting familiar with the painting and ensure that every one of your artwork pieces oozes life.

Tip 1 – Use thick paste on foreground to convey volume

Three dimensional looks are quite lifelike and it is actually possible to achieve this when painting with oil. Oils and acrylics come with the advantage of building thick impastos compared to pastels and watercolors that lack the quality. To achieve the 3D look, apply the thick oil paste on the foreground of your painting and then thin it with receding planes on your piece. In the end you will have a very thing paint layer in the distant background creating the three dimensional illusion.

Tip 2 – Create texture on your piece by dry brushing

Texture is very important, especially on pieces with leaves, grass and crashing water waves and the likes. By using a dry brush technique you can make sure the texture is visible to the eyes. Dry brushing involves skipping your brush so that the paint can peel off achieving the desired results. When you hold the brush horizontally and graze it you can tickle bottom surfaces dragging to different directions to create weathered appearance of your wood or make the water foam on the painting look bubbly. There are so many effects you can create with the method so your painting is lifelike.

Tip 3 – Create interest by varying your colors

Instead of adding a number of variations of the same hue in a given area to get rid of boring solid monochromatic colors, generate more interest on your oil painting by mixing colors partially on the palette to neutralize saturation and they squeeze paint out under lots of pressure so you can see subtle color variations with every stroke. It may seem challenging at first, but you will love how realistic the painting becomes once you master the technique. This color mixing variegation can be used on different types of oil painting including those with grass, rocks and foliage to get paint variety that makes them look real.

13 Jan

The Magic of ‘Glow in the Dark’ Pigments

Certain specialty colorants stand apart from the regular organic pigments due to certain attributes possessed by them. One of the attribute is the ‘glow in the dark’ effect. The special substances are referred to as phosphors and glowing is sometimes called phosphorescence. Visible light is radiated by these Phosphors after they are energized. This implies that the phosphors have to be exposed to light for the required time for them to be energized and glow in the dark.

This stored energy is then released by the phosphors at a slow rate for a certain period of time. While this energy is being released small quantities of light is emitted and that is the reason for the object to glow in the dark. Many chemical compounds act as phosphors; however, strontium illuminate based after-glow pigments are being used to the maximum extent.

There are endless possibilities for use of these pigments and listing all of them will be truly difficult. But if a few areas where these ‘glow in the dark’ pigments are used were to be listed then they would include canvas paintings, epoxy and resin projects, costumes and props, hats, shoes and other clothing, wall murals and ceiling and in many other commercial items such as sporting goods, exit signs, toys, stickers, fluorescent textiles etc.

One of the major applications is the ‘glow in the dark’ fabric or textiles. Textile dyes, reactive dyes and others are used to lend colour to the four main naturally sourced fabrics like cotton, wool, linen, and silk. The glowing effect is due to the inclusion of certain other additives. ‘Glow in the dark’ fabrics are made from yarn or thread of the similar type. The yarn is skin friendly and besides being woven into the fabric it can be used to sew or embroider designs which glow in the dark. The chemical processes undergone by the fabric ensures that their special attribute remains untouched even after washing and ironing though direct ironing has to be avoided. Clothes made from this fabric are used by early morning or late night joggers, campers for their tents, as party costumes, t-shirts and jump suits of kids, bed sheets and blankets and other home furnishing material.

‘Glow in the dark’ paints are another popular area where these fluorescent pigments find a wide use. Different combinations of the basic ingredients give different resultant colour combinations ranging from green to blue to red to yellow green. The ‘glow in the dark’ paints are used in a number of items such as glow cars, fishing lures, police flashlight, vehicle painting, silhouette walls, children’s rooms and lots more.

Man has created these ‘glow in the dark’ objects but nature has given us bio-luminescent creatures in the form of jelly fish and fire flies that glow. Have you ever wondered why do they glow?

19 Dec

How to Get Ready for A Studio Photoshoot

Typically, backdrops come in the form of a big roll of whatever fabric you choose to get, such as velvet, and felt. The colors of fabric that I would recommend for a backdrop would be either black, grey or white depending on what the model is wearing. Another thing to consider is using a green screen and changing the color of the background later in Photoshop. Black velvet is always a good choice because it has a quality where it can absorb light, giving a nice rich, darker black. To set up the backdrop you need a strong enough stand to support or over hang from the ceiling it.

The main light has to be placed in a very specific position in comparison to the model. The angle, height, and distance of the main light are vital to getting the right look. You do not want this light in the models eyes or from a side angle. It also needs to be placed at a good height so you are not casting shadows on the models face. With this light you need to use a diffuser or a soft box to help decrease the darkness of the shadows in the picture.

A hair light is a second light that sits in a specific position. Basically, the hair light is placed behind the model for a few reasons. To use this light correctly attach a snoot to it. A snoot is an attachment to the light that helps direct the light to a specific spot on the model; in this case it is for the hair.

The camera, you need to connect your camera with the studio lights so everything flashes in the right connections. There are a couple of was to handle the camera for a photo shoot. One of the ways is to put it on a tripod and keep the camera stationary. By doing that you will help eliminate blur and you can find a sweet spot to stay at. Another way is by just holding the camera and creating different angles while the shoot is happening.

The reflector is used to bounce light onto the models features from the main light. There are a few different types of reflector; you could use a white, black, gold and silver colored reflector. You would want to use a white reflector when the area you are taking a picture in does not have enough light. A black reflector would be used to take away light when there is too much shine washing out the model. A gold/silver reflector is for the happy medium, but find what works best for you and best for the situation in general.